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I am Rand Lines.
I play piano.
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I blog about it here.
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Just happened to be browsing the February 25th, 1959 edition of the Eugene Register-Guard from Eugene, Oregon when I stumbled upon this article about Athens, Ga.  Dave Brubeck was set to perform on the UGA campus in 1959 but the show was cancelled by the University because the bass player was “a negro”. It’s also ironic that the article names the bassist “Eugene White” while his real name is Eugene Wright. I don’t remember hearing anything about this when Brubeck was in town a year or two ago, but I could have missed it. Here’s the article:

Jazz Show Called Off

ATHENS, Ga. - A March 4 jazz concert featuring Dave Brubeck has been canceled because the bass player is a Negro.

President Stuart Woods of the sponsoring University of Georgia Jazz Societ, a senior from Manchester, Ga., said the society learned Monday that one of the performers was a Negro. 

When notified of this, university officials decreed that the group, on of the top jazz bands in the country, could not perform on the university campus, Woods said.

Brubeck reached by Woods in New York, termed the decree “unconstitutional and ridiculous.”  Asked if he would play without the Negro, Eugene White, Brubeck was quoted by Woods as saying, “not for a million dollars.”

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I always enjoy when bass and piano double on some interesting melody like in this Dianne Reeves’ version of “How High the Moon”.  Also check out the Rambo soundtrack for some gnarly piano and bass doubling.  I can’t figure out who’s on piano on this since I don’t have the liner notes and a few different people are listed on the net.  Anyone? 

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I bought some Charlie Haden duets on vinyl at Low Yo Yo Stuff the other day (yes, it’s back in athens).  Some of the notable duets are Charlie with Ornette, Hampton Hawes, Keith Jarrett, Alice Coltrane, and  Paul Motian.  Playing with just one other instrument can be strange and limiting, but it also has potential for some really interesting stuff. I tried recording some duets with myself on Sax and Rhodes tonight.  Some tracks are a mess, but some came out pretty decent.  Here’s on of them I liked: none of the material was planned beforehand, I just played two tracks and went with it. 

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We used to go hear these guys down on St Simons Island when I was a kid.  I just found the old cassette tape and figured I had to transfer it, since it’s nowhere else to be found on the internets.  You can’t go wrong with a song about butter beans. 

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Last night to celebrate quatro de mayo, we got together to record a few tunes by Ornette Coleman.  This is the newest form of our Ornette Coleman project called “So Roam, Child” consisting of Preston Smith(Bass), Ben Williams(Drums), and me(Piano).  We had never played or rehearsed the tunes with Ben before pushing record, but we have all been fans of Ornette’s music for a while and drew from our common knowledge of his melodies and philosophy.  All of these recordings were obviously done in one take as you can’t rehearse this kind of music. It just happens.  We used three mics and recorded at my house. Enjoy!

This first track is called “Congeniality” and is from The Shape of Jazz to Come

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Heard this on H. Johnson in Atlanta few weeks ago and it blew me away.  Erroll Garner playing “Once in a While”.  I remember sight reading this tune on some gig a long time ago and thinking how boring it was. Obviously, I was wrong.

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Tomorrow night at Flicker Bar, Preston Smith and I will be playing the music of Ornette Coleman.   We’re going to be playing a bunch of music from “The Shape of Jazz to Come” as well as “Sound Grammar”.   We’ll start around 8pm and will play one set of improvised/”free form” music drawing from Ornette’s melodies.   I love this music and it’s been a great excuse to study it more. 
Our name is “So Roam, Child.”  (i.e. haRmolodiCS) Show is Free!

Tomorrow night at Flicker Bar, Preston Smith and I will be playing the music of Ornette Coleman.   We’re going to be playing a bunch of music from “The Shape of Jazz to Come” as well as “Sound Grammar”.   We’ll start around 8pm and will play one set of improvised/”free form” music drawing from Ornette’s melodies.   I love this music and it’s been a great excuse to study it more. 

Our name is “So Roam, Child.”  (i.e. haRmolodiCS)
Show is Free!

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via hud:

a favorite passage from Zorba the Greek by Nikos Kazantzakis

via hud:

a favorite passage from Zorba the Greek by Nikos Kazantzakis

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